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dc.contributor.authorHeinrich Wölfflin
dc.date.accessioned2016-02-20T06:23:44Z
dc.date.available2016-02-20T06:23:44Z
dc.date.issued1908
dc.identifier.isbn
dc.identifier.issn
dc.identifier.urihttp://ir.nmu.org.ua/handle/GenofondUA/23336
dc.description.abstract"After graduating in 1886, Wölfflin published the result of two years' travel and study in Italy, as his Renaissance und Barock (1888), the book that celebrated the pathological "Baroque" as a stylistic category and a serious area of study. For Wölfflin, the 16th-century art now described as "Mannerist" was part of the Baroque aesthetic, one that Burckhardt before him as well as most French and English-speaking scholars for a generation after him dismissed as degenerate. On the death of Jacob Burckhardt in 1897 Wöllflin succeeded him in the Art History Chair at Basel. He is credited with having introduced the teaching method of using twin parallel projectors in the delivery of art-history lectures, so that images could be compared. Sir Ernst Gombrich recalled being inspired by him. Wölfflin taught at Berlin University from 1901 to 1912, Munich University from 1912 to 1924." (Wikipedia)
dc.language.isoGerman
dc.publisherF. Bruckmann AG
dc.subject
dc.subject
dc.subject.ddc
dc.subject.lcc
dc.titleRenaissance und Barock
dc.typeother
dc.identifier.aichDDTV7MAA2V3VOP5GT5SJ7YH4ILE6ETTB
dc.identifier.crc325909B5A3
dc.identifier.doi
dc.identifier.edonkey3BB866D87CF603D375FBD012FA1A316E
dc.identifier.googlebookid
dc.identifier.openlibraryid
dc.identifier.udk
dc.identifier.bbk
dc.identifier.libgenid871368
dc.identifier.md5ca1e5efdbb896e62d1c3fa9ecd18b004
dc.identifier.sha173KNVVYLI2AKPDPEGXDQQW5XO6B5NQLU
dc.identifier.tthRH5P4OKYV6GOUS2MKYR2NGP6SXFOCZP2IMOQIZI


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